飞地艺术空间｜展位L01
Enclave Contemporary | Booth L01
公众开放时间 ｜ Public Days
2月27日 星期一 10:00-21:00
2月28日 星期二 10:00-18:00
3月1日 星期三 10:00-18:00
3月2日 星期四 10:00-17:00
展馆地址 | Address
深圳会展中心
Shenzhen Convention & Exhibition Center
2月27日-3月2日，由“设计上海”主创团队重磅打造的首届“ 设计深圳”将正式登陆 深圳会展中心。展会 将携手国内外知名设计品牌，围绕设计与人文、艺术、科技、创意等不同领域，为最具专业性的设计现场注入当代艺术的活跃能量与审美体验。
此次 飞地艺术空间将于 L01展位为您呈现 13位艺术家的代表性作品， 除了参与飞地同期群展《寂静春天来临前》的陈牧甜 、董大为、 关音夫 、 洪绍裴 、 蒋小余 、 李继开 、 李舜 、 陶显 、 文晢与姚朋，肖婷婷、 黄启佑、李随唐三位全新面孔也将亮相展会。
部分参展作品
Exhibited Works
陈牧甜
Chen Mutian
陈牧甜 Chen Mutian
《时髦姐姐》 Fashionable Sister
布面综合材料
mixed media on canvas
152 x 132 cm，2022
关于艺术家
展开全文
About the Artist
1987年生于湖南长沙。2009年本科毕业于广州美术学院油画系，2013年硕士毕业于湖南师范大学，2015年毕业于中央美术学院进修班。现工作和生活在长沙。
陈牧甜作品由大量的神秘符号与柔软的线条构成，那些形似文字又已延展至图形化的笔触与图案，暗含着陈牧甜对世界的独特洞察，也是她发挥想象的幽秘空间，更是她深入理解与建立表达的系列隐喻。艺术家通过梦幻与浪漫的色彩表达，使得作品始终能让观众产生极具个人意识的理解。
陈牧甜独特的语言和表达灵感，来源于长沙马王堆出土的帛书，远古文化里的仙道故事与现代传奇在她的创作中交相辉映，空间多维且迷幻。通过油画、形色各异的布匹与综合材料以及新媒体和装置等媒介与形式，艺术家努力寻找着一种专属的思维和传达方式，试图为生活在现实生活中的人们创造一个能忘却烦恼、且充满奇趣的内心景观。近期作品中，陈牧甜更进一步拓展和探索着材料的变化与可能性，形式上愈发自由，素材更为广泛，而风格则更趋成熟，语言与气质渐成一派新形象。
陈牧甜的主要个展包括：《ux&陈牧甜艺术展》，上海西岸凤巢，上海（2022）；《花园与花边》，飞地艺术空间，深圳（2022）；《游乐园玛祖卡》，裕湘纱厂，长沙（2018）；《家园》，凤凰艺都，无锡（2015）。主要群展包括： 《寂静春天来临前》，飞地艺术空间，深圳（2023）；《原物》，纸本艺术馆，长沙（2021）；《墙势力》，时代美术馆，北京（2019）；《游·物》，湖南省展览馆，长沙（2017）；《艺术中国汇》，大都会艺术博物馆，纽约（2016）等。她获过湖南省第七届油画展银奖（2015）；湖南女画家展览艺术奖（2011）；湖南省展艺术奖（2010）。她的作品被中央美术学院、梅溪湖艺术中心、T当代艺术中心等美术馆和艺术机构以及私人收藏。
Chen Mutian was born in 1987 in Changsha, Hunan, China. She graduated with a bachelor’s degree in the Oil Painting Department from Guangzhou Academy of Fine Arts in 2009, a master’s degree from Hunan Normal University in 2013 and finished her advanced studies in Central Academy of Fine Arts in 2015. She currently lives and works in Changsha.
Chen Mutian's works are composed of a multitude of mysterious symbols and camber lines. Strokes and patterns that resemble words and have been extended to graphic form, implying Chen Mutian's unique insight into the world. It is not only a secretive space for her imagination, but also a series of metaphors for her in-depth understanding and expression. Through the dreamy and romantic color expressions, the works have always been able to create a very personal and conscious understanding for the audience.
Chen Mutian‘s unique language and expressions were inspired from the silk books excavated from Mawangdui Han Tombs of Changsha. The stories of immortality from ancient cultures and modern legends intersect in her creations, which are multi-dimensional and psychedelic. Through oil painting, various shapes and colors cloth and mixed media, as well as new media and installations, Chen Mutian strives to find an exclusive way of thinking and expression, trying to create an inner landscape full of wonder for people living in a real life to forget their fears. In her recent works, Chen Mutian has further explored the variation and possibilities of materials, becoming more free in form, more extensive in materials, more mature in style, with a new image of language and temperament.
Chen Mutian‘s recent solo exhibitions include: ux&Chen Mutian , AI PLAZA, Shanghai (2022); Garden and Lace , Enclave Contemporary, Shenzhen (2022); Kursaal Mazurka , Yuxiang Cotton Mill, Changsha (2018); Homeland , Phoenix Art Palace, Wuxi (2015). Her major group exhibitions include: The Days Before the Silent Spring , Enclave Contemporary, Shenzhen (2023); Matter , Paper-Based Art, Changsha (2021); Wall Power , Times Art Museum, Beijing (2019); You · Wu , Hunan Provincial Exhibition Hall, Changsha (2017); Fantastic Art China , Metropolitan Museum of Art, New York (2016). She won the Silver Award of the Seventh Oil Paintings Exhibition of Hunan Province (2015); Hunan Female Painter Exhibition Art Award (2011); Hunan Exhibition Art Award (2010). In addition, her works have been collected by art museum, art institutions and private collection, including the Central Academy of Fine Arts, Meixi Lake International Culture Art Centre and T Contemporary Art Centre.
肖婷婷
Xiao Tingting
肖婷婷 Xiao Tingting
《观赏》 Appriciation
宣纸水墨综合材料
mixed materials with ink on rice paper
200 x 210 cm，2022
关于艺术家
About the Artist
肖婷婷，1991年生于江西南昌。2016年硕士毕业于清华大学美术学院中国画专业，2012年本科毕业于首都师范大学中国画专业。现生活、工作于北京。她的作品致力于大胆突破传统水墨艺术风格，将色粉和传统国画媒介融合，形成了强烈色彩冲击的视觉表达。她用个体情感的社会反思和融合跨界的表现手法，印证了传统媒介的生命力和未来无限可能。
肖婷婷个展包括《闭一只眼——肖婷婷绘画作品展》，首都师范大学美术馆，北京（2012）。近期群展包括《庐隐集（上）》，屳東堂，北京（2022）；《模因叠加态》，屳東堂，北京（2022）；《柔软的触角—2022轻/松计划第2期》，松美术馆，北京（2022）；《她水墨—中国当代女艺术家水墨大展》，今日美术馆，北京（2020）；《育·绘—2020年（第十二届）黄桷坪新年艺术邀请展》，重庆当代美术馆，重庆（2020）；《第二届“恭王府·时代”肖像艺术展》，北京时代美术馆，北京（2014）等。
Xiao Tingtingwas born in Nanchang in 1991 and received her MFA in Chinese painting from the Academy of Fine Arts, Tsinghua University in 2016, graduated from Capital Normal University with a BA in Chinese painting in 2012. She now lives and works in Beijing. Her works are dedicated to a bold breakthrough from the traditional ink wash art style, blending the medium of colour pastels and traditional Chinese painting to create a visual expression of strong colour impact. The artist's social reflections on individual emotions and the fusion of cross-border expressions testify to the vitality of the traditional medium and its infinite possibilities for the future.
Xiao Tingting’s solo exhibition include: One Eye Closed - Xiao Tingting's Painting Exhibition , Art Museum of Capital Normal University, Beijing (2012). Her major group exhibitions include: Summit of Hermits (Part 1) , Santo Hall, Beijing (2022); Memes Superposition State , Santo Hall, Beijing (2022); Soft Feelers , Song Art Museum, Beijing (2022); Ink Like Her: Chinese Contemporary Female Artists Ink Paintings Exhibition , Today Art Museum, Beijing (2020); 2020 (12th) Huangjueping New Year Art Festival , Chongqing Contemporary Art Museum, Chongqing (2020); Portrait Now! Urban Life in Contemporary China , Beijing Times Art Museum, Beijing (2014),etc.
董大为
Dong Dawei
董大为 Dong Dawei
《怡乐园春天 Tetris x1》 Spring of Eden-Tetris x1
纸上马克笔
marker on paper
80 x 60 cm，2019
关于艺术家
About the Artist
1981年出生于辽宁，大连。2004年毕业于鲁迅美术学院油画系，获学士学位。2011年毕业于法国布尔日国立高等艺术学院，获硕士学位。
“逆向思维”贯穿着董大为的整个创作经历。在纸本马克笔系列的创作过程中，董大为致力于以技术去技术化，以专业反专业化。当人类的主观意识被逐渐淡化，物质本身的原有价值就在被凸显。通过以形似数学精密的计算过程，绘制出在纸本上自由滴落的一个又一个大小相同却又相互堆积、进而组成新形状的图形，这便是董大为在去除掉了一个艺术家在创作时应该尊重美术史、美术技法等“原则性”后的产物。同时，董大为对于客观事物的尊重也表现在他作品里绘画在石膏板上的风景中，掉落的色粉粉末中，悬挂在墙上的电磁炉中。
在董大为的作品里，所有的材料和绘画语言都变得更为纯粹，材料的自然之美被他呈现出来。正如董大为自己所说的那样：“无论多么复杂、深刻的内容， 我都倾向于用最通俗的语言”。
其作品主要从历史中汲取营养，并在观念艺术方面有着重要实践。董大为近期重要的个展包括：《重返山水》，Tong Gallery+Projects，北京（2022）；《元素和像素》，飞地艺术空间，深圳（2021）；《风景画像》，HdM画廊，北京（2020）；《背面》，今格空间，北京（2019）；《现成写作》，飞地书局艺术空间，深圳（2018）；《背面》，香港巴塞尔艺术展亚洲事业单元、杨画廊，香港（2018）；《可见之光》，亚洲当代艺术空间，台北，台湾（2017）；《尘归尘》，HdM画廊，北京（2017）；《普通读者》，杨画廊，北京（2016）；《云的理论》，空间站画廊，北京（2015）；《奇点》，贝浩登画廊，香港（2015）。作品广泛展出于艺术机构和美术馆，如尤伦斯当代艺术中心，木木美术馆，昊美术馆，A4当代艺术中心，中央美术学院美术馆，南京艺术学院美术馆，上海名园当代美术馆，布鲁塞尔Boghossian基金会，莫斯科现代美术馆，首尔市民厅艺廊，法国伊苏丹圣劳克美术馆，法国布尔日文化中心等。
Dong Dawei was born in Dalian, Liaoning, in 1981. He currently lives and works in Beijing. He graduated from the Oil Painting Department of Lu Xu Academy of Fine Arts with a bachelor’s degree in 2004. In 2011, he graduated from École nationale supérieure d’art de Bourges, France, with a master’s degree.
“Reverse thinking” has been a part of Dong Dawei’s entire creative experience. In the process of creating the Marker on Paper series, Dong Dawei is committed to de-technologising technology and counter-specialising with professionalism. When human subjective consciousness is gradually diluted, the original value of the material itself is brought to the fore. Through a process of calculation that resembles mathematical precision, Dong draws shapes that drip freely on the paper, on after another of the same size but stacked on a top of each other, thus forming new shapes, which is the product of Dong Dawei’s removal of the “principle” that an artist should respect art history and art techniques when creating. At the same time, Dong’s respect for objectivity is also evident in the landscapes painted on plasterboard, in the powdered chalk that has fallen from his work, and in the induction cooker hanging on the wall.
In Dong Dawei’s works, all materials and painting language become more pure, and the natural beauty of the materials is brought out by him. As Dong Dawei himself says: “ No matter how complex or profound the content is, I tend to use the most common language ”.
His works mainly draw nutrition from the history of painting, with important practice in the conceptual art. His recent major solo exhibitions include: Back to Qinglù , Tong Gallery+Projects, Beijing (2022); Element and Pixel , Enclave Contemporary, Shenzhen (2021); Landscape Portrait , HDM Gallery, Beijing (2020); Backside , Gingo Space Gallery, Beijing (2019); Ready wrote, Enclave，Shenzhen (2018); Backside , Art Basel Hong Kong, Hong Kong (2018); Dust To Dust, HdM Gallery, Beijing (2017); The Common Reader , Gallery Yang (2016); The Theory of Clouds , Space Station, Beijing (2015). He has participated in exhibitions at a number of art institutions and Museums, including UCCA, Beijing; M Woods Museum, Beijing; How Museum, Wenzhou; A4 Contemporary Arts Center, Chengdu; CAFAM, Beijing; AMNUA, Nanjing; Ming Yuan Contemporary Art Museum, Shanghai; Boghossian Foundation, Brussels, Belgium; MMOMA, Mosco, Russia; Seoul City Hall Art Gallery, Seoul, South Korea; L’hospice St Roch Museum, Issoudin, France; House of Culture Bourges, Bourges, France, etc.
关音夫
Guan Yinfu
关音夫 Guan Yinfu
《被破坏的秩序作品系列—15》 Disrupted Order Serie—15
木板丙烯、艺术涂料
acrylic and art paint on board
170 x 140 x 7.5 cm，2022
关于艺术家
About the Artist
关音夫，1975年出生于中国黑龙江省齐齐哈尔市，2002年本科毕业于中央戏剧学院舞台设计专业，现工作生活在北京。
色彩在关音夫的作品中是最为关键的因素，它同时具有两种身份，即是视觉信息的主导者，也是物质力量的见证人。关音夫同时与这两种身份的色彩打交道，他设定色彩关系，有时候是对比色及补色之间的强烈对比，有时候是同类色彩之间的微妙变化，他安排色彩的空间秩序，让色彩构成渐变的序列，或者图／底的转换，在这些时刻，关音夫似乎是一个掌控全局的设计师。但他又不得不是一个遵从自然秩序的劳作者，面对着稠厚的颜料，搅拌、浇洒、刮擦，再等着它们凝结、定型、开裂，最终成为色彩秩序的一部分。
关音夫的重要个展有：《惰性时刻》，飞地艺术空间，深圳（2022）；《肉眼重力》，艺·凯旋，北京（2022）；《彩色·ROLOC》，指纹画廊，北京（2018）；《关音夫：大于等于物 》，静画廊，北京（2013）。同时，他在多个美术馆和艺术机构参与群展，包括 《寂静春天来临前》，飞地艺术空间，深圳（2023）；《封面》，飞地艺术空间，深圳（2021）；《形势巴洛克》，北京当代，设计中国，北京（2020）；《灰寂》，Tong Gallery+Projects ，北京（2019）；《美狮美高梅艺术收藏展》， 澳门（2018）；《绘画的孤儿》，ETHAN COHEN FINE ARTS 纽约，美国（2017）；《生生生Vivivid》，指纹画廊，北京（2017）；《十夜——BMCA艺术文件展》，北京（2016）；《不是之是：一次关于“元绘画”的个人表述》，林大画廊，北京（2014）；《象与像》，大象画廊，台湾（2013）；《绘画课Ⅱ——消极与积极的风格》，杨画廊，北京（2012）；《物之屏》，千高原艺术空间，成都（2009）等。
Guan Yinfu was born in Qiqihar, Heilongjiang province, China, in 1975. He graduated from The Central Academy of Drama with a bachelor’s degree in Stage Design. Currently works and lives in Beijing.
Color is the most critical factor in Guan Yinfu's works. It has two identities simultaneously, namely, the leader of visual information and the witness of material power. Guan Yinfu dealt with the colors of these two identities at the same time. He set the color relationship, which is the strong contrast between contrasting and complementary colors, and sometimes subtle changes between similar colors. He arranged the spatial order of colors to form a gradual sequence or the conversion of images/bottoms. At these moments, Guanyinfu seems to be a designer in control of the overall situation. But he also had to be a laborer who obeyed the natural order, facing the thick paint, stirring, sprinkling, scratching, and then waiting for them to condense, shape, and crack, and finally become part of the color order.
Guan Yinfu‘s solo exhibitions includes: Kairos of Inertia, Enclave Contemporary, Shenzhen (2022); Gravity of Eyes , Triumph Gallery, Beijing (2022); ROLOC , Fingerprint Gallery, Beijing (2018); Guan Yinfu ≥ Objecthood , Jing Gallery, Beijing (2013). He also participated in the following exhibitions: The Days Before the Silent Spring , Enclave Contemporary, Shenzhen (2023) ; Cover , Enclave Contemporary, Shenzhen (2021); Situation Baroque , Beijing Contemporary Design, Beijing (2020); Grey Silence , Tong Gallery+Projects, Beijing (2019); MGM COTAI Collection Exhibition , Macau (2018); Orphans of painting , Ethan Cohen Fine Arts, NY (2017); Vivivid , Fingerprint Gallery, Beijing (2017); The Decameron BMCA Documenting Art , Beijing (2016); The Being of Non Being , Linda Gallery, Beijing (2014); Simulacrum and Image , Da xiang Art space, Taiwan (2014); Painting Lesson-Negative And Positive Style, Yang Gallery, Beijing (2012); Obstruction, A Thousand Plateaus Art Space, Chengdu (2009).
洪绍裴
Hong Shaopei
洪绍裴 Hong Shaopei
布面丙烯
acrylic on canvas
45 x 35 x 11 cm，2021
关于艺术家
About the Artist
洪绍裴，1979年生于台湾，2007年获国立台北师范学院艺术与艺术教育学系学士学位。现生活、工作于北京。
洪绍裴的创作建立在对艺术已有认知的接受并怀疑的基础上，尊重真实的光、影、物。他长期以丙烯颜料堆叠的方式深入探讨绘画本质，意图从传统的平面二维空间拓展出绘画语言三元立体呈现的可能性样式，被堆叠和不断塑形的颜料形成立体的画面，平面绘画变成了立体绘画，而通过灯光的引入，几何形体的阴影也成为了画作的一部分。艺术家藉此讨论着具象与抽象的边界，绘画也由此生成出新的可能。其最新的画重量系列，则欲更进一步勘测绘画、雕塑与装置的媒材边界，他为作品所配置的为绘画称重的测量秤，实现了绘画作品可以像黄金或珠宝一样以重量作为计量衡来以克数计价的惊喜体验。这是对观念的颠覆，也是对绘画新的诠释与呈现。
洪绍裴的主要展览包括《Something or nothing》，北京现在画廊，北京（2018）；《洪绍裴个展》，北京现在画廊，北京（2017）；《时间中的绘画，洪绍裴个展》，北京现在画廊，北京（2015）；香港巴塞尔博览会，香港（2016，2017）；中国国际画廊展览会，北京（2016）；西岸艺术与设计博览会，上海（2016）；ART021上海廿一当代艺术博览会，上海（2016）；《时间的绘画-洪绍裴个展》，北京现在画廊，北京（2015）。其作品被BAO Collection（上海）、洛杉矶郡立美术馆（洛杉矶）、白兔美术馆（悉尼）、国立台湾美术馆（台中）、台湾台北第一银行（台北）、余德耀美术馆（上海）、昊美术馆（上海）、知美术馆（成都）、陈启川艺术文教基金会（高雄）等多家艺术机构永久收藏。
Hong Shaopei was born in Taiwan in 1979 and received his degree from the Art and Art Education Department at the National Taipei Normal Academy (now National Taipei University of Education). He now lives and works in Beijing.
The work of Hong Shaopei is based on a scepticism of art’s received wisdoms and pays homage to the light, shadow and objects of the real world. For some time he has used multiple layers of acrylic paint to delve into the nature of painting itself and to develop an artistic language that opens up the possibility for three-dimensional forms on the traditional flat space of the canvas. The repeatedly layered and remoulded paint becomes a surface with depth, the two-dimensional becomes three-dimensional, and the protruding geometries transform the incoming light into a patchwork of shadow that itself becomes a part of the artwork. The artist thereby explores the border between abstract and actual, in which space the work gives rise to new possibilities. His latest work on the weight of artwork seeks to extend his investigations into the borders between painting, sculpture and installation. The scales he provides by which to weigh his paintings are a startling experiment into the notion that, just like gold or precious stones, the worth of artworks can be evaluated in terms of their weight in grams. Conceptually subversive, these pieces offer a new interpretation and demonstration of painting.
Hong Shaopei’s recent major exhibitions include: Something or Nothing , Beijing Art Now Gallery, Beijing (2018), Hong Shaopei solo exhibition , Beijing Art Now Gallery, Beijing (2017), the 2017, 2016 Art Basel Exhibition in Hong Kong, the 2016 China International Gallery Exposition in Beijing, the 2016 West Bund Art and Design Exhibition in Shanghai, the 2016 ART021 Shanghai Contemporary Art Fair in Shanghai, and Paintings in Time , Beijing Art Now Gallery, Beijing (2015). His works has been collected by a number of public and private collections such as BAO Collection (Shanghai), Los Angeles County Museum of Art (Los Angeles), White Rabbit Gallery (Sydney), National Taiwan Museum of Fine Arts (Taizhong), First Commercial Bank (Taibei), Yuz Museum (Shanghai), How Art Museum (Shanghai), Zhi Art Museum (Chengdu), Frank C. Chen Cultural Foundation (Gaoxiong).
蒋小余
Jiang Xiaoyu
蒋小余 Jiang Xiaoyu
《雪糕》 Ice-cream
布面丙烯
acrylic on canvas
60 x 50 cm，2022
关于艺术家
About the Artist
蒋小余，1990年出生于重庆大足。2014年本科毕业于四川美术学院油画系，2020年硕士毕业于四川美术学院油画系。现生活和工作于重庆。
蒋小余的绘画克制而内敛，他尽可能地剔除那些来自于日常图景或素材中的冗余和繁复，画面因此变得集中和纯粹，蒋小余试图通过对这种单一形象的深入洞察和异质化处理，刻画个体生命在现实处境中的复杂遭遇，从而揭示和隐喻人们在普遍面临外部多变且动荡的世界时随之产生的内心活动。蒋小余的工作尽可能地削弱叙事性，而更多集中在对情感和精神世界的探寻与传达，这些看似晦暗、荒诞、诡谲同时也透露着单纯、可爱与情趣的内容，既生动鲜活，也诗性盎然。
蒋小余个展有：《空击》，飞地艺术空间，深圳（2022）。参加过的部分联展有 《寂静春天来临前》，飞地艺术空间，深圳（2023）；《可么可么啰/嘘！只对我一人!》, STArtz’ Gallery开始画廊，贵阳（2022）；《原始童话》，上海狮语画廊，上海（2022）；《FANSHION 2》，55画廊，上海（2021）；《在日出时数羊》，序空间，重庆（2021）；《平步昏氛》，喜马拉雅美术馆，上海（2021）；《异童话》，彩云里艺术中心，昆明（2021）；《弹出——四川美术学院青年艺术家驻留计划2020-2021终期汇报展》，四川美术学院美术馆，重庆（2021）；《刺点：四川美术学院油画系第26届学生作品年展 》，CAEA美术馆，重庆（2019）；《短波》，新媒体系艺术空间，重庆（2019）；《酷动——青年当代艺术家邀请展》，港宏.凯威行，成都（2016）；《“日常非常”——四川美术学院在校青年艺术家作品展》，蓝顶美术馆，成都（2014）；《艺术实用主义实践》，文轩美术馆，成都（2013）。
Jiang Xiaoyu was born in 1990 in Dazu, Chongqing, China. He graduated with a bachelor’s degree in the Oil Painting Department from Sichuan Fine Arts Institute in 2014, a master’s degree from Sichuan Fine Arts Institute in 2020. He currently lives and works in Chongqing.
Jiang Xiaoyu's paintings are restrained and introspective, and he tries to eliminate as much redundancy and complexity as possible from the everyday scenes or materials, so that the images become focused and pure. Through the insight and heterogeneity of this single image, Jiang Xiaoyu attempts to portray the complex encounters of individual lives in real-life situations, thus revealing and metaphorizing the inner activities that arise when people are generally faced with a changing and turbulent world. Jiang Xiaoyu's work diminishes the narrative as much as possible, instead, it focuses more on the exploration and communication of emotions and the spiritual world. These seemingly obscure, absurd and treacherous contents, which at the same time reveal innocence, loveliness and interest, are both vivid and poetic.
JiangXiaoyu‘s s recent solo exhibition includes: Shadow Boxing, Enckave Contemporary, Shenzhen (2022). He also participated in the following exhibitions: The Days Before the Silent Spring , Enclave Contemporary, Shenzhen (2023); GOMU GOMU NO/SHH! ONLY TO ME! , STArtz’ Gallery, Guiyang (2022); The Primeval Fairy Tale , Leo Gallery Shanghai, Shanghai, (2022); FANSHION 2 , Gallery 55, Shanghai (2021); Sleepy Sun, Counting Sheep , 501Xu Art Palace, Chongqing (2021); Step into the great wide darkness , Himalayas Museum, Shanghai (2021); Strange Fairy Tales , Caiyunli Art Center, Kunming (2021); Eject, Sichuan Fine Arts Institute Art Museum, Chongqing (2021); Puncture, The 26th Annual Exhibition of Students' Works of Oil Painting Department of Sichuan Fine Arts Institute, CAEA Art Museum, Chongqing (2019); Shortwave , New Media Art Space, Chongqing (2019); Cool Power: Young of Contemporary Art Cadillac Invitation Exhibition , Ganghong Kaiweihang, Chengdu (2016); Normal and Extremely Unusual , Blue Roof Museum, Chengdu (2014); Art Pragmatism Practice , Winshare Art Museum, Chengdu (2013).
李继开
Li Jikai
李继开 Li Jikai
《岸边的男孩》 The Boy on the Shore
布面丙烯
acrylic on canvas
70 x 50 cm，2023
关于艺术家
About the Artist
李继开，1975年生于四川成都。1999年毕业于四川美术学院油画系。2020年毕业于中国艺术研究院美术学专业，获博士学位。现任教于湖北美术学院。
李继开是70后艺术中“新卡通一代”的重要代表人物，他的绘画向来以灵性的笔触和诗化的气质著称。他不仅延续了20世纪90年代“政治波普”在图像上的变革，更将图像与自我的主体意识有机的结合起来，并通过在图像叙事领域建立其独特的绘画语言，使作品的表达具有“新绘画”的特质，将延续自“卡通一代”的绘画与书写推进到一个新的阶段。
李继开近期重要个展包括：《流萤点火》，偏锋画廊，北京（2022）；《地衣：李继开个展》，美术文献艺术中心，武汉（2022）；《李继开：镀银的夜行者》，玉兰堂，北京（2021）；《不可终日》，南视觉美术馆，南京（2020）；《时间的帷幕》，玉兰堂，上海（2020）；《鱼鳞与鸟羽》，罗湖美术馆，深圳（2019）；《我和我的人生包袱》，星空间，北京（2018）；《我年少的中年》，飞地书局艺术空间，深圳（2018）；《灼灼朝花》，嘉宝美术馆，武汉（2017）；《人世的风景——李继开个展》，蜂巢当代艺术中心，北京（2016）；《纯真博物馆》，合美术馆，武汉（2015）等。亦被今日美术馆（北京）、龙美术馆（上海）、何香凝美术馆（深圳）、广东美术馆（广州）、湖北美术馆（武汉）、武汉美术馆（武汉）、新加坡MoCA（新加坡）、Franks-Suss（伦敦）等国内外重要艺术机构与私人所收藏。
Li Jikai was born in Dalian, Chengdu, Sichuan, in 1975. He graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 1999. In 2020, he graduated from the Chinese National Academy of Arts with a doctorate degree in fine arts. He is now teaching at Hubei Institute of Fine Arts.
Li Jikai has been considered as a main representative of the post-70s generation of the New Animation in China. His paintings have been characterized by remarkable brushwork and poetic sensibility. In addition to following the changeoriented Political Pop movement that emerged in China in the 1990s, the artist brings together images and subjective consciousness, which allows his artistic works to have the distinctive features of the New Paintings. In doing so, he has taken the painting and writing influenced by the generation of animation to the next level.
His recent major solo exhibitions include: Fireflies , PICO Gallery, Beijing (2022); Lichen: Li Jikai Solo Exhibition , Fine Arts Literature Art Center, Wuhan (2022); Rambler Wearing the Moonlight , Line Gallery, Beijing (2021); The Curtain of Time , Line Gallery, Shanghai (2020); There's no End , RCM Art Museum, Nanjing (2020); Fish Scales & Bird Feathers , Luohu Art museum, Shenzhen (2019); The Burdens of my life , Star Gallery, Beijing (2018); My Youthful Middle Age , Enclave, Shenzhen (2018); Burning Morning Flowers , Jiabao Art Museum, Wuhan (2017); Sceneries in the Journey of Life , Hive Center for Contemporary Art, Beijing (2016), etc. His works have been collected by major art institutions and collectors, including Beijing Today Art Museum (Beijing), Long Museum (Shanghai), He Xiangning Art Museum (Shenzhen), Guangdong Art Museum (Guangzhou), Hubei Art Museum (Wuhan), Wuhan Art Museum (Wuhan), MoCA (Singapore), and the Franks-Suss (London).
李舜
Li Shun
李舜 Li Shun
《格物致知—断桥残雪》
Study on The Nature of Things-Snow at the Broken Bridge
摄影，收藏级相纸艺术微喷
photography, giclee print on photographic paper
60 x 78 cm，2021，8+1ap
关于艺术家
About the Artist
李舜，1988年出生于江苏徐州，先后获得中国美术学院跨媒体艺术学院学士及硕士学位，现工作生活于杭州。李舜的创作灵感来源于摄影，光，是其中的绝对主角，而正负像画面之间的转换，又成为他作品的逻辑根源。他的创作呈现出多样性的状态，尤其注重各种媒材的表现力。
李舜的作品多次在国内外重要艺术机构展出和收藏，包括广东美术馆、澳大利亚白兔当代美术馆、上海当代艺术博物馆、东京艺术大学美术馆、上海昊美术馆、上海龙美术馆、瑞士Tichy Ocean基金会、成都知美术馆、北京展览馆、浙江美术馆、塞尔维亚贝尔美术馆、北京民生美术馆、美国康州学院查尔斯·E·辛恩图书馆等。其入围2023年SOVEREIGN 杰出亚洲艺术奖，入选2020年中国摄影年度排行榜，2021、2017年TOP20中国当代摄影新锐，获得2020集美·阿尔勒发现奖提名，2015北京民生现代美术馆开馆展银奖等奖项。
Li Shun (b.1988, China) Studied at the China Academy of Art School of Intermedia Art, receiving a bachelor’s degree in 2011; Master’s degree from the same institution in 2015 in Hangzhou City of China. Currently works and lives in Hangzhou, China. Inspired by photography, light is the absolute protagonist of Li's art practice, in which the transformations between positive and negative images are at the root of his works. His artworks are diverse, with a particular focus on the expressiveness of various mediums and materials.
Li Shun’s works have been exhibited and collected in important art institutions at home and abroad for many times, Including: Guangdong Art Museum, White Rabbit Art Museum, Power Station of Art, Art Museum of Tokyo Art University, HOW Art Museum, Long Museum, Foundation Tichy Ocean, ZHI Art Museum, Beijing Exhibition Center, Zhejiang Art Museum, Serbian Bell Art Museum, Beijing Minsheng Art Museum, Charles E. Shain Library of Connecticut College etc. He selected in the 2023 Sovereign Asian Art Prize, 2020 annual list of Chinese Photography, 2021\2017 TOP20 Chinese Cutting-Edge Contemporary Photographer etc. Nomination for JIMEI x ARLES Discovery Award 2020, 2015 Beijing Minsheng Art Museum Silver Award etc.
陶显
Tao Xian
陶显 Tao Xian
《闪烁》 Twinkle
布面油画
oil on cotton
110 x 85 cm，2021
关于艺术家
About the Artist
陶显，1991年出生于中国安徽，2013年毕业于中央美术学院油画系，获本科学位；2016年毕业于纽约帕森斯设计学院，获硕士学位。现生活、工作于深圳。
陶显的作品充满了对当下身处的社会环境的反省与深思，理性和感性的碰撞，共存和取舍，以及对单一视觉与心理体验叙述方式的挑战，具有超验主义倾向的哲学性思考。艺术家描画的对象都具有一种动态的感觉，在画面的运动中，扭曲舞动的图像和饱满夸张的色彩被情感重新塑造，观者的心灵被无限次的触发，从陶显绘画中所获得的情感阈值也因而具备了超验主义的特点。
陶显的主要展览包括：个展《愚人与酒神》，蓝岸画廊，深圳（2022）；《既视感》，亚洲艺术平台，新加坡（2019）；双人展《意识划痕》（与陶大珉），指纹画廊，北京（2017）；双人展《幻痛》（与Ryota Sato），456艺廊，纽约（2017）；个展《未见》，吹上美术馆，日本冈山（2016）等。主要群展包括： 《寂静春天来临前》，飞地艺术空间，深圳（2023）；《秋实——90后女性艺术家群展》，金杜艺术中心，北京（2021）；“Star Start：后窗开幕展”，后窗画廊，杭州（2021）；《模糊的边界》，大都会展览馆，纽约（2018）；《天天向上：年度名师提名展》，筑中美术馆，北京（2017）；《波长》，无名空间，纽约（2016）； “I Can Because You Do”，PARTICIPANT INC，纽约（2016）等。曾获CAAC全奖（2016）；帕森斯院长奖学金（2014）等。
Tao Xian was born in Anhui province, China in 1991. She graduated from The Central Academy of Fine Arts with a Bachelor Degree in Oil Painting in 2013, she then gained a Master's Degree from Parsons the New School for Design in New York. Now, she lives and works in Shenzhen.
Tao Xian's works are full of reflections and deep thoughts on the current social environment, the collision of reason and sensibility, coexistence and trade-offs, as well as challenges to the single visual and psychological experience of narrative. The objects depicted by the artist have a sense of dynamism, in the movement of the images, the twisted, dancing subject and the full, exaggerated colours are emotionally reshaped, the viewer's mind is triggered infinitely, and the emotional threshold obtained from Tao Xian's paintings thus takes on a transcendentalism character.
Tao Xian's major exhibitions include: solo exhibition The Fool and Dionysus , L·AN Gallery, Shenzhen (2022); solo exhibition Déjà vu , Asian Art Platform, Singapore (2019); two person exhibition Sense Scratch (with Tao Damin), Beijing (2017); two person exhibition Phantom Pains (with Ryota Sato), Gallery 456, New York (2017); solo exhibition The Unseen , Fukiage Museum of Art, Okayama, Japan (2016). Her major group exhibitions include: The Days Before the Silent Spring , Enclave Contemporary, Shenzhen (2023); Autumn Fruits: Group Exhibition of Women Artists born in the 1990s , KWM Art Center, Beijing (2021); Star Start: International Young Artists Salon Exhibition , Rear Window Gallery, Hangzhou (2021); Blurred Boundaries, The Metropolitan Pavilion, New York (2018); Wavelength , The Untitled Space, New York (2016); I Can Because You Do , PARTICIPANT INC, New York (2016), etc. She won CAAC Full Sponsorship (2016); Parsons Dean's Merit Scholarship (2014) , etc.
文晢
Wen Zhe
文晢 Wen Zhe
《VOXEL-001-传送》 VOXEL-001-Portal
绢本设色、矿植物颜料、宣纸
ink and color on silk, mineral and natural pigments, xuan paper
26.5 x 26.5 cm，2020
关于艺术家
About the Artist
文晢，生于1990年，现工作、生活于杭州。毕业于广州美术学院中国画系，2012年获学士学位，2015年获硕士学位。
文晢的创作以工笔画为主要媒介，画面语言深受中国传统绘画的启发，围绕散点透视、归纳简明、纯净透叠展开探索，试图结合个人表达以让古老的语汇催生出新的感知体验。在近年的创作中，艺术家以电子游戏的生产模式作为创作方法，让中国传统绘画语言与游戏数码语言在画面中充分对话。现实情境和游戏意象由此解构交错成慢慢滋生的虚拟世界，传统绘画中的思维空间成为了游戏与艺术之间的通道。在那里，数码拟象与工笔写实、正交视图与散点透视、素材拼贴与造型模件，在古今虚实之间，一种“庄周梦蝶”式的空间被渲染出来，呼应着当下诸多年轻人的生存状态。
文晢个展有：《游戏开始》，飞地艺术空间，深圳（2022）；参加过的部分展览有：《寂静春天来临前》，飞地艺术空间，深圳（2023）；“艺术深圳”，深圳会展中心/飞地艺术空间，深圳（2021）；《学院新方阵第十二届年展》，今日美术馆，北京（2019）；“国之光——从《神州国光集》到《中国历代绘画大系》”，浙江大学艺术与考古博物馆，杭州（2019）；《青春心印——2019第六届关山月美术馆青年工笔画展》，关山月美术馆，深圳（2019）；《青春心印——2018第五届关山月美术馆青年工笔画展》，关山月美术馆，深圳（2018）；《新人·新水墨——2017五行会筹款义卖水墨专场》，博尔赫斯书店艺术机构，广州（2017）；《省城》，本来画廊，广州（2016）；《今日美术馆2015艺术院校大学生年度提名展》，今日美术馆，北京（2015）。且作品被博尔赫斯书店艺术机构、杨锋艺术与教育基金会、关山月美术馆、广州美术学院和陕西历史博物馆所收藏。
Born in 1990, Wen Zhe now works and lives in Hangzhou. A graduate of the Chinese Painting Department in the Guangzhou Academy of Fine Arts, he obtained his bachelor’s degree in 2012 and his master’s degree in 2015.
Wen Zhe’s primary medium is gongbi and his work is profoundly influenced by Chinese traditional painting. Using the techniques of combining multiple perspectives into one vista, condensing a scene to its key elements, and depicting transparent overlapping figures, he attempts to draw on the powers of individual expression to inject the vocabulary of classical painting with new perceptual qualities.
In recent years, Wen Zhe has made the mode of production of online games his artistic method, forcing the languages of Chinese traditional painting and online game code into dialogue with one another. Through this act of deconstruction, the interplay between real situations and online game images gives rise to a virtual world in which the imagined space of traditional painting becomes a conduit between game and art. It is a space that lies between the digital simulacrum and gongbi representation, Cartesian three-dimensional space and the multiperspective vista, artistic collage and modular frameworks, the past and the present, the real and the virtual. A space is rendered that recalls Zhuangzi’s dream of the butterfly and reflects many young people’s contemporary existence.
Wen Zhe’s recent solo exhibition includes: GAME ON , Enclave Contemporary, Shenzhen (2022). He also participated in the following exhibitions: The Days Before the Silent Spring , Enclave Contemporary, Shenzhen (2023); Art Shenzhen in the Shenzhen Convention & Exhibition Center and Enclave Contemporary, Shenzhen (2021); The 12th Anniversary Exhibition New Academy Elite in Today Art Museum, Beijing (2019); Light of a Nation – From “National Light of the Divine Land” to “A Compendium of Chinese Painting Through the Ages” in Zhejiang University Museum of Art and Archaeology, Hangzhou (2019); Youth Koans – The Sixth Guan Shanyue Art Museum Youth Gongbi Exhibition 2019 in Guan Shanyue Art Museum, Shenzhen (2019); Youth Koans – The Fifth Guan Shanyue Art Museum Youth Gongbi Exhibition 2018 in Guan Shanyue Art Museum, Shenzhen (2018); New Human, New Ink Wash – The Wuxing Association Charity Ink Wash Sale in the Libreria Borges Contemporary Art Organization, Guangzhou (2017); Sang Shing in bonacon gallery, Guangzhou (2016); and 2015 Annual Nomination Exhibition for Students of Contemporary Art Academies in Today Art Museum, Beijing (2015). His work is featured in the collections of Libreria Borges Contemporary Art Organization, the Yang Feng Art and Education Foundation, Guan Shanyue Art Museum, the Guangzhou Academy of Fine Arts and the Shaanxi History Museum.
姚朋
Yao Peng
姚朋 Yao Peng
《黄》 Yellow
收藏级艺术微喷，pebeo艺术喷漆于亚克力表面
epson inkjet on huhnemuhle studio enhanced paper, pebeo spray paint on acrylic
42.5 x 32.5 cm x 4，2018，3+1ap
关于艺术家
About the Artist
姚朋，1984年生于中国吉林，2008年毕业于四川美术学院油画专业，2012年获四川美术学院油画专业硕士学位。现生活、工作于北京。
姚朋的作品涉及绘画，装置，图像，文本，拼贴等多种媒介与手段。他一直将意识作为一种物质，感知其体量，能量与形态，寻找不同维度间意念刻度的精准以及意念间转化的巧妙。他的许多作品常在不动声色的现实表象中设置关卡，撩拨观者对于世界的界定。他善于营造轻巧而有力的心理张力，以及对于此种张力辐射的把控。
姚朋的主要个展包括：《时间的雾》，飞地艺术空间，深圳（2022）；《时间胶囊》，北京现在画廊，北京（2018）；《女士们和先生们》，北京现在画廊，北京（2016）与《献给生者与死者》，北京现在画廊，北京（2013）。作品曾被白兔美术馆（悉尼）、何香凝美术馆（深圳）、余德耀美术馆（上海）以及知美术馆（成都）等重要机构收藏。
Yao Peng was born in 1984 in China’s Jilin province. Majoring in oil painting, he graduated in 2008 from the Sichuan Fine Arts Institute where he went on to receive his master’s degree in the same field in 2012. He currently lives and works in Beijing.
Yao Peng's works involve various media such as painting, installation, image, text, and collage.He has always perceived consciousness as a substance, its volume, energy and form, exploring the precision of the scale of intention between different dimensions and the ingenuity of the transformation between intentions. His work unobtrusively sets up hurdles in the appearance of reality, tantalizing the viewer with the definition of the world. He is adept at creating a light but powerful psychological tension and at controlling the radiation of that tension.
Yao Peng’s recent major exhibitions include: The Fog of Time , Enclave Contemporary, Shenzhen (2022); Time Capsule , Beijing Art Now Gallery, Beijing (2018); Ladies and Gentlemen, Beijing Art Now Gallery, Beijing (2016) and For the Living and the Dead , Beijing Art Now Gallery, Beijing (2013). His works has been collected by a number of public and private collections such as White Rabbit Gallery (Sydney), He Xiangning Art Museum (Shenzhen), Yuz Museum (Shanghai) and Zhi Art Museum (Chengdu).
黄启佑
Huang Qiyou
黄启佑 Huang Qiyou
《野百合子》 Wild Lilies
布面丙烯
acrylic on canvas
100 x 80 cm，2022
关于艺术家
About the Artist
黄启佑，1987生于广西南宁。2010毕业于广西艺术学院，2020-2021四川美术学院年度驻留艺术家。现生活、工作于厦门。黄启佑的艺术实践多以综合绘画展开，将个人神游自然中的想象与超时空的神话叙事巧妙揉合，借助东方山水画意境的形质，从个人具身经验出发，结合文本经典，创造属于自身的风景人物语汇。
黄启佑个展包括《明月高悬》，伊日艺术计划，台北（2022）；《无边风月》，杰铭画廊，上海（2021）；《私园》，逸空间，南京（2020）；《语虚何以言知》，逸空间，南京（2018）；《说后山》，復言社，北京（2017）。主要群展包括《象外出逃》，林大艺术中心，北京（2022）；《风景画》，拾萬当代艺术中心，石家庄（2022）；《世说新语》，威狮国际当代艺术中心，福州（2022）；《FANSHION·第二回》，五五画廊，上海（2021）；《太空殖民地》，伊日艺术计划，台北（2021）；《算法之外》，山川久也艺术中心，贵阳（2021）；《物象的提喻》，海涵艺术，深圳（2020）；《重塑的个体》，成都市美术馆，成都（2019）等。
Huang Qiyou was born in Guangxi in 1987. He graduated from Guangxi Art University in 2010, and gained the 2020-2021 Sichuan Fine Arts Institute Annual Artist-in-Residence. Now, he lives and works in Xiamen. Huang Qiyou's artistic practice is mostly based on composite painting, combining his personal imagination in nature with a mythological narrative that transcends time and space, with the moods of oriental landscape painting and classical texts, he creates his own vocabulary of landscape figures from his personal physical experience.
Huang Qiyou’s solo exhibition include: The Bright Moon is High up , YIRI ARTS, Taipei (2022); Boundless Wind and Moon , JM Gallery, Shanghai (2021); Private Garden , East Gallery, Nanjing (2020); If you can not say it clearly, How can you say that you know, East Gallery, Nanjing (2018); To Say The Hills Behind , Fuyan Commune, Beijing (2017). Her major group exhibitions include: Beyond Images , Linda Gallery, Beijing (2022); Landscape Painting , Hunsand Center for Contemporary Art, Shijiazhuang (2022); A New Account of Tales of the World , SEEWELL International Art Center, Fuzhou (2022); FANSHION 2, Gallery 55, Shanghai (2021); Space Colony , YIRI ARTS, Taipei (2021); Outside The Algorithm , Eternel Gallery, Guiyang (2021); Synecdoche , Haihan Art Space, Shenzhen (2020); Remolded Individuals , Chengdu Art Museum, Chengdu (2019), etc.
李随唐
Li Suitang
李随唐 Li Suitang
《黄金年代》 Lose Era
布面丙烯
acrylic on canvas
180 x 120 cm，2022
关于艺术家
About the Artist
李随唐，1993年出生于重庆南岸区。2015年毕业于四川美术学院油画系，获学士学位，2019年毕业于四川美术学院油画系，获硕士学位。现生活、工作于重庆。李随唐的作品以观念为导向，涵盖架上绘画、装置、雕塑与摄影等多种媒介。视角聚焦于日常生活的偏移，朋友们的卡通画像、公共空间的创新型使用、当地居民的生活切片，艺术家以一种新奇的、旁观的视角打开现实。将日常中真实、细腻的情感碎片凝结，以极具张力的笔触投射在画面之中，呈现出一些关于年轻人的故事。
李随唐个展包括：《关于杯子的废话.MP4》，Avg空间，成都（2022）；《雕塑的使用办法》，参与器空间，重庆（2021）；《实际的存在》，X画廊，大连（2018）。主要群展包括：《对白》，上海泰艺术中心，上海（2022）；《“新界面”青年驻留艺术邀请展》，天津PAC艺术中心，天津（2021）；《异童话》，彩云里艺术中心，昆明（2021）；《几个好杯》，灰空间，重庆（2017）等。
Li Suitang was born in Chongqing in 1993. He graduated from the Oil Painting Department of Sichuan Fine Arts Institute with a BA in 2015 received MA in Oil Painting from Sichuan Fine Arts Institute in 2019. Now, he lives and works in Chongqing. Li Suitang's work is conceptually oriented and covers a wide range of media including painting, installation, sculpture and photography. Focusing on the offsets of daily life, cartoon portraits of friends, innovative uses of public space, and slices of the lives of local residents, the artist opens up reality with a novel, spectatorial perspective. The real, delicate fragments of everyday emotions are condensed and projected into the images with highly charged brushstrokes, presenting some stories about young people.
Li Suitang’s solo exhibition include: A Bunch of Bullshit About Cups , Avg Space, Chengdu (2022); How to use sculpture , Organhaus, Chongqing (2021); Physical Presence , X Gallery, Dalian (2018). Her major group exhibitions include: Dialogue , Tai Art Center, Shanghai (2022); A New Interface - The Young Artist Residency Program of Sichuan Fine Art Institute Invitation Exhibition , PAC Art Center, Tianjin (2021); Strange Fairy Tales , Caiyunli Art Center, Kunming (2021); Some Hobby , Chaos Art Space, Chongqing (2017), etc.
13位艺术家
囊括了曾经出现在展厅、陪伴飞地成长的面孔
也有未来即将亮相的年轻力量
这 其中有你熟悉的艺术家吗? 或者对哪件作品更感兴趣？
在文末留言，我们会抽选10位小伙伴
各赠「2023设计深圳 」
4日入场券1张
截止时间：2月26日（周日）12:00
展览延期安排
Exhibition Extension Arrangement
原定于2月26日闭展的群展「寂静春天来临前」，
将延期至2023年3月11日（周六）
欢迎大家继续到场观看。
关于飞地艺术空间
About Enclave Contemporary
作为飞地品牌旗下的画廊，飞地艺术空间ENCLAVE CONTEMPORARY立足中国大湾区深圳，以输出开创性的展览与内容为核心己任，与今天的艺术家和观众共同探讨全球语境和背景下的当代艺术如何参与社会与时代的激变和革新。除了为充满活力与独创性的艺术家们提供持续专业的代理、推广与学术研究工作，飞地艺术空间也将积极为全球视野下的艺术机构与收藏家提供具有建设性和前瞻力的咨询与服务。
As a gallery under the Enclave flagship, ENCLAVE CONTEMPORARY, based in Shenzhen, an essential integral of the Greater Bay Area of China, whose core mission is to produce ground-breaking exhibitions and contents that explores the way in which contemporary art practices engage in radical changes and innovation in a global context, with the artists and audience. In addition to providing ongoing professional representation, promotion, and academic research for dynamic and unique artists, Enclave Contemporary will also actively offer constructive and forward-looking advice and services to art institutions and collectors with a global perspective.
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飞地艺术空间开放时间
周二-周日 10:00-19:00
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