lasvegasfantasyshow（在美剧las vegas第一季里 扮演nessa的那个黑人女演员叫什么）_拉斯维加斯_莎拉_发售

本文目录

• 在美剧las vegas第一季里 扮演nessa的那个黑人女演员叫什么
• 用英语介绍一下拉斯维加斯~~谢谢
• 美剧 拉斯维加斯/赌城风云 （Las Vegas）第四季的资源哪里有求第四季第一集！
• 莎拉布莱曼所有专辑
• 在拉斯维加斯做什么Things to do in Las Vegas

在美剧las vegas第一季里 扮演nessa的那个黑人女演员叫什么

Marsha Thomason
Birth Place: Manchester, England, UK
Date of Birth: January 19, 1976
Heritage: British
扮演新的飞行员NAOMI,演员名Marsha Thomason
出身地:曼彻斯特,英国
生日:1976/1/19
祖籍:英国
一双眼睛让我们联想起了“冰雪女王“她还参演过NBC连续剧“拉斯维加斯“里的大厅BOSS
12岁就进入演绎生涯,她参加了OLDHAM剧院表演班,然后她开始向她的爱好表演业进军
在BBC的好几部连续剧里参加过演出,包括“BURN IT“,BRAZEN HUSSIES“还有“PIE IN THE SKY“
“PLAYING THE FIELD“,他还参加了ITV的系列“WHERE THE HEART IS“..........
和Helen Mirren (QUEEN女主角,今年OSCAR最佳女主角)参演过1996年的Prime Suspect 5
最终初次登上伦敦皇家大剧院参加“ Breath Boom “的演出
实现美国梦想,和 MARTIN LAWRENCE参演了美国喜剧片“Black Night“还制作了独立电影“PURE“
还与Eddie Griffin 参演了My Baby’s Mama,和搞笑天皇一起拍摄了Haunted Mansion,Thomason在伦敦和络杉矶不定期居住
ps：《las vegas》一般翻译成《赌城风云》

用英语介绍一下拉斯维加斯~~谢谢

Shimmering from the desert haze of Nevada like a latter-day El Dorado, Las Vegas is the most dynamic, spectacular city on earth. At the start of the twentieth century, it didn’t even exist; at the start of the twenty-first, it’s home to well over one million people, with enough newcomers arriving to need a new school every month.
Las Vegas is not like other cities. No city in history has so explicitly valued the needs of visitors above those of its own population. All its growth has been fueled by tourism, but the tourists haven’t spoiled the “real“ city; there is no real city. Las Vegas doesn’t have fascinating little-known neighborhoods, and it’s not a place where visitors can go off the beaten track to have more authentic experiences. Instead, the whole thing is completely self-referential; the reason Las Vegas boasts the vast majority of the world’s largest hotels is that around thirty-seven million tourists each year come to see the hotels themselves.
Each of these monsters is much more than a mere hotel, and more too than the casino that invariably lies at its core. They’re extraordinary places, self-contained fantasylands of high camp and genuine excitement that can stretch as much as a mile from end to end. Each holds its own flamboyant permutation of showrooms and swimming pools, luxurious guest quarters and restaurants, high-tech rides and attractions.
The casinos want you to gamble, and they’ll do almost anything to lure you in; thus the huge moving walkways that pluck you from the Strip sidewalk, almost against your will, and sweep you into places like Caesars Palace. Once you’re inside, on the other hand, the last thing they want is for you to leave. Whatever you came in for, you won’t be able to do it without crisscrossing the casino floor innumerable times; as for finding your way out, that can be virtually impossible. The action keeps going day and night, and in this windowless – and clock-free – environment you rapidly lose track of which is which.
“Little emphasis is placed on the gambling clubs No cheap and easily parodied slogans have been adopted to publicize Las Vegas, no attempt has been made to introduce pseudo-romantic architectural themes or to give artificial glamour or gaiety.“
– WPA Guidebook to Nevada, 1940
Las Vegas never dares to rest on its laurels, so the basic concept of the Strip casino has been endlessly refined since the Western-themed resorts and ranches of the 1940s. In the 1950s and 1960s, when most visitors arrived by car, the casinos presented themselves as lush tropical oases at the end of the long desert drive. Once air travel took over, Las Vegas opted for Disneyesque fantasy, a process that started in the late 1960s with Caesars Palace and culminated with Excalibur and Luxor in the early 1990s.
These days, after six decades of capitalism run riot, the Strip is locked into a hyperactive craving for thrills and glamour. First-time visitors tend to expect Las Vegas to be a repository of kitsch, but the casino owners are far too canny to be sentimental about the old days. Yes, there are a few Elvis impersonators around, but what characterizes the city far more is its endless quest for novelty. Long before they lose their sparkle, yesterday’s showpieces are blasted into rubble, to make way for ever more extravagant replacements. The Disney model has now been discarded in favor of more adult themes, and Las Vegas demands nothing less than entire cities. Replicas of New York, Paris, Monte Carlo and Venice now jostle for space on the Strip.
The customer is king in Las Vegas. What the visitor wants, the city provides. If you come in search of the cheapest destination in America, you’ll enjoy paying rock-bottom rates for accommodation and hunting out the best buffet bargains. If it’s style and opulence you’re after, by contrast, you can dine in the finest restaurants, shop in the most chic stores, and watch world-class entertainment; it’ll cost you, but not as much as it would anywhere else. The same guidelines apply to gambling. The Strip giants cater to those who want sophisticated high-roller heavens, where tuxedoed James Bond lookalikes toss insouciant bankrolls onto the roulette tables. Others prefer their casinos to be sinful and seedy, inhabited by hard-bitten heavy-smoking low-lifes; there is no shortage of that type of joint either, especially downtown.
On the face of it, the city is supremely democratic. However you may be dressed, however affluent or otherwise you may appear, you’ll be welcomed in its stores, restaurants, and above all its casinos. The one thing you almost certainly won’t get, however, is the last laugh; all that seductive deference comes at a price. It would be nice to imagine that perhaps half of your fellow visitors are skilful gamblers, raking in the profits at the tables, while the other half are losing, but the bottom line is that almost nobody’s winning. In the words of Steve Wynn, who built Bellagio and the Mirage, “The only way to make money in a casino is to own one“; according to the latest figures, 85 percent of visitors gamble, and they lose an average of $665 each. On top of that, most swiftly come to see that virtually any other activity works out cheaper than gambling, so end up spending their money on all sorts of other things as well. What’s so clever about Las Vegas is that it makes absolutely certain that you have such a good time that you don’t mind losing a bit of money along the way; that’s why they don’t even call it “gambling“ anymore, but “gaming.“
Finally, while Las Vegas has certainly cleaned up its act since the early days of Mob domination, there’s little truth in the notion that it’s become a family destination. In fact, for kids, it’s doesn’t begin to compare to somewhere like Orlando. Several casinos have added theme parks or fun rides to fill those odd nongambling moments, but only ten percent of visitors bring children, and the crowds that cluster around the exploding volcanoes and pirate battles along the Strip remain almost exclusively adult.

美剧 拉斯维加斯/赌城风云 （Las Vegas）第四季的资源哪里有求第四季第一集！

这片子太老了
做为看过的人可以负责的告诉你，别抓狂了，这剧后来被砍了，没什么结局

莎拉布莱曼所有专辑

磁带
猫（Cats） - (1981)
Nightingale - Original London Cast (1983)
Song and Dance - Sarah Brightman & Wayne Sleep (1984. 2007再版)
Andrew Lloyd Webber’s Requiem - 多明戈，布莱曼，英国室内乐团，马泽尔 (1985)
歌剧魅影（The Phantom of the Opera - Original London Cast） (1987)
Carousel - Studio Cast (1987)
Repo! The Genetic Opera! (2008)
原声
The World is Full of Married Men (Singing ’Madame Hyde’)
Granpa (Singing Make Believe)
专辑
天籁森林 （The Trees They Grow So High，又称Early One Morning） (1988第一版，1998再版)
遗忘的歌声（The Songs That Got Away） (1989)
走过岁月（As I Came of Age） (1990)
韦伯之歌（Sings the Music of Andrew Lloyd Webber） (1992)
潜（Dive） (1993)
臣服（Surrender） (1995)
飞（Fly） (1995)
永志不渝（Time To Say Goodbye/Timeless） (1997)
重回失乐园（Eden） (1998)
月光女神（La Luna） (2000)
金选（Classics） (2001)
喝彩（Encore） (2002)
一千零一夜（Harem） (2003)
爱改变一切（Love Changes Everything: The Andrew Lloyd Webber CollectionⅡ） (2005)
真爱传奇/交响曲/交响乐/交响魅影（Symphony） (2008)
真爱永恒 冬之歌/冬日交响 （A Winter Symphony） (2008)
Amalfi—Sarah Brightman Love Songs (2009)
合集与现场音乐会
The Andrew Lloyd Webber Collection (1997) 维也纳演唱会
FlyⅡ (限量发售) (2000)
The Very Best of 1990-2000 (2001)
The Harem Tour CD (限量发售) (2003)
The Harem World Tour: Live From Las Vegas (2004)
Classics: The Best of Sarah Brightman (只发行于欧洲) (2006)
Diva: The Singles Collection (全球发售，除欧洲外) (2006.10.3)
Symphony: Live In Vienna (2008) (限量发售)
单曲
I Lost My Heart to a Starship Trooper (1978)
The Adventures of a Love Crusader (1979)
Love in a UFO(1979)
My Boyfriend’s Back (1981)
Not Having That! (1981)
Him(1983)
Rhythm of the Rain (1983)
Unexpected Song (1984)
All I Ask of You (with 克里夫·理查德) (1986)
Doretta’s Dream（电影《窗外有蓝天》(A Room with a View)主题曲） (1987)
Anything But Lonely (1990)
Something to Believe In (1990)
Amigos Para Siempre (1992)
Captain Nemo (1993)
The Second Elemen (1993)
A Question of Honour (1995)
How Can Heaven Love Me (与 Chris Thompson) (1995)
Heaven Is Here (1995)
告别的时刻 ( Time to Say Goodbye ) （与 安德烈·波伽利） (1996)
Just Show Me How to Love You (1997)
Who Wants to Live Forever (1997)
Tu Quieres Volver (1997)
There for Me (1998)
Eden (1998)
Deliver Me (1999)
So Many Things (1999)
The Last Words You Said (与 理查·马克斯) (1999)
斯卡布罗集市 ( Scarborough Fair ) (2000)
苍白的浅影 ( A Whiter Shade of Pale ) (2001)
Harem (2003)
美好的一天( It’s a Beautiful Day ) (2003)
What You Never Know”(2003)
Free (2004)
Snow on the Sahara (2004)
Will Be with You (Where the Lost Ones Go) (与 Chris Thompson) (2007)
Running(2007)
Pasión (与 Fernando Lima) (2007)
我和你（You and Me） (与刘欢) (2008)
Sash!与莎拉·布莱曼
The Secret(2007)
莎拉·布莱曼与北京奥运
You and me (2008) 《我和你》 2008年北京奥运会主题曲
视频
In Concert (1997)
A Gala Christmas in Vienna (1998)
One Night In Eden (1999)
La Luna: Live In Concert (2001)
Classics: The Best of Sarah Brightman (2002) (限量发售)
Harem: A Desert Fantasy... (2004)
The Harem World Tour: Live From Las Vegas (2004)
Diva: The Video Collection (2006)
Symphony: Live In Vienna (2008) (限量发售)

在拉斯维加斯做什么Things to do in Las Vegas

首先当然是gambling 推荐威尼斯人和凯撒皇宫
然后是吃,各大自助餐推荐去查wicked spoon
晚上去看秀o show ,jubilee, ka show ,jersey Boys, 太阳马戏团的都很好
半夜去night club 推荐威尼斯人记得要穿晚礼服哦
还有各种演唱会,如席琳迪翁,和小甜甜布兰妮 都常驻vegas